 
Die
Another Day
Starring Pierce Brosnan, Directed
by Lee Tamahori
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| An invisible car. This is the best gadget the new
Bond movie can give us. This would probably be a tired
gimmick 20 years ago. Just to make sure it’s boring
today, though, the car is also equipped with the standby
missiles and ejector seat. To say this franchise is
in the middle of an identity crisis would be kind. It
is pathetically old. This is made especially clear during
the title sequence, when the only thing more ridiculous
than a geriatric Pierce Brosnan being agonized in a
scorpion torture prison is that it’s being done
to the pulsating techno-bleats of a Madonna song (she’s
old too). What is actually more ridiculous
than both is that the only detrimental effect after
14 months of water torture, starvation, daily poisonings,
and Madonna’s music is that James Bond has long,
ratty hair. |
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There are so many criticisms to be made about this movie;
it’s quite hard to be precise. From the opening moments
of the film, for instance, it was obvious I would have to
keep a tally of shoddy dialogue if I wanted to remember
how much there was. So, I began to count lame lines, but
early on when Bond jumped from an out-of-control hovercraft
onto a bell just before the vehicle shot off a cliff and
he announced he was, “Saved by the bell!” my
pencil shattered from the pressure of my clenched fist.
What was worse, the wisecrack or the action that preceded
it?
The writers, apparently full of energy from the lack of
effort put into the film’s dialogue, did actually
work a bit of foreshadowing and parallel structure into
that “hovercraft scene”. The main villain was
on that hovercraft and Bond thinks he is dead (he’s
not). Later, Bond flies over a snow cliff and the villain
thinks Bond is dead. But Bond, of course, hangs off the
ocean-side of the mountain fashioning a parachute and surf
board from pieces of a car. When the avalanche hits, he
surfs his way out of danger before launching himself off
a wave and floating onto safe ground. As far as avalanche-themed
stunts go, this makes Vin Diesel’s snowboard race
in xXx downright likely.
That bit of foreshadowing, if it was even intended, is
the best thing to be said about the storyline. 007’s
chief enemies in Die Another Die are the North
Koreans. The producers probably thought this would be a
prescient move to reflect America’s next political
boogeyman. I guess they didn’t count on us crippling
a Middle Eastern state with sanctions and bombings to the
point of almost complete exposure before invading them on
the nightly news. It is hard to believe they didn’t
foresee this, as the path to box office success for this
movie must have been similarly predicated on a weak, hampered
field of films that the majority of the public didn’t
really care about. How else could they expect us to sit
through a scene of Halle Berry strapped to a table, about
to be diced by a laser beam? This was much more suspenseful
when Hank Scorpio did it on the fourth season of the Simpsons.
This says nothing of when the arch-villain puts on something
that looks like a Nintendo Power Glove to transmit lightning
bolts through people.
The actors don’t fare any better. Halle Berry seems
to be as untalented as many have suspected, delivering her
lines with all the flat-footed grace of a syndicated starlet.
A graying Brosnan, as mentioned, looks aged and uninterested.
If you see this in the video store, my recommendation is
for you to pick it up unprompted and shout “Die another
day? I think I’ll watch it some other day!
” and throw it down. The iota of amusement this may
arouse within anybody who notices you will surely surpass
the cumulative enjoyment of everyone who’s actually
seen the movie.
On an inverse scale of the worst movies ever made,
where Crocodile 2: Death Swamp rates a 1 (still
kind of campy), and Patch Adams rates a 10 (worst
ever), Die Another Day actually replaces Josie
and the Pussycats, the numerical equivalent of a 9.1.
Buy
the DVD
- Nathan Fuller 
The
Uncredible Hulk
Now I'm not going to let a small thing like
not having seen the movie yet stop me from reviewing it.
I've seen the trailers on the tube about a combined 113
minutes so I believe I have a grasp on how hard it sucks.
It sucks hard. Like a brand new shop-vac plugged into 220
when the barometric pressure is around 29.96 and the sock
you're wearing is on your foot.
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| First of all, I'm a product of 70's TV and Da Hulk
to me is a guy named Louie. The new computer generated
Hulk doesn't look Italian at all. I'm sure Pussy is
looking for work since they axed him off The Sopranos
- I say hook a brother up. I'm surprised they didn't
make him teal or aquamarine since they insist on ruining
my 20 year understanding of what it is to be the Hulk.
And how does the TV Hulk of yesteryear go from a steroid
freak Krylon-ed green to a 40-foot, tank tossing SOB
with Pixar in his blood. Two words - TOO BIG. I can't
make the leap. |
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It also pisses me off (and this goes for the comic book,
too) when he says "you wouldn't like me when I'm angry."
Hey, I don't like anyone when they are angry, especially
these chicks I've dated recently. I swear they all have
hurricanes named after them. Put my ex in the ring with
a transformed Bruce Banner and the latter is leaving on
a stretcher with a bottle of Midol lodged in his rectum
(and the doctor says "Rectum? Lucky. She damn near
killed him").
Speaking of mid-sections, how does Hulk 2003 fit in his
pants now that he's Shaq times 10? When the gamma radiation
kicks in gear we should see his Kermit colored rear. Not
that I want to. I don't. Not really. Just for realism. So
its believable. I doubt Dr. Banner is sporting XXL Spandex
24-7 and correct me if I'm wrong, but does the Hulk always
have purple pants? If they wanted to make the monster the
real deal his pants would shred off like everything else
and, like all guys who work out too much, he'd have a really
small package. Which begs the question, do guys with large
penises drive only compact cars? My theories on “the
trousers that always fit” and Hulk are as follows:
1. They are some new prototype Dockers
going beyond the defeat of stains and wrinkles.
2. When he “Hulks out”
he pisses his precious “doctor playing God”
pants with violet radioactive urine that allows his
jeans to mutate into something Prince wore during orgies
in West Hollywood in 1987. 3. Bruce
Banner wore purple Spandex under his Levi's. In fact
he invented
Spandex. He liked to ride his 10-speed. Nevermind.
4. The Hulk isn't real. 5.
The Hulk is real and I'm just not very smart. 6.
He changed when nobody was looking. |
So don't go see Hulk and wait for on DVD. It will make
you a better person and human being.
- Nick Sandin 
Giant
Sand: 3 New Albums
Giant Sand’s Official Bootleg Series and
front man How Gelb’s Down Home series of
releases swing open the gates to the junkyard in back- the
doll heads, hub caps, and plastic chairs, all the things
from the woodshop not smooth enough to sell; you know, where
the gold is. These records are the dusty trunks with a little
new magic happening inside. Though even Giant Sand’s
proper albums, especially recently, have resembled a languid,
Sunday musical cookout, their latest three make the informality
official.
Infiltration of Dreams: Official Bootleg Series Vol.
4 - This is a live recording, until now, only available
on an Italian imprint. It features two French-Indian ladies
I first saw perform locally over a year ago. Both sat in
the middle of stage, one occasionally playing the violin,
both looking quite perplexed, singing only when they appeared
to recognize a bit of song. I thought this was only because
they were both new, but now it sounds unlikely. Their curiously
offhand stage presence is still there, the entire concert’s
mood equally and wonderfully loose-fitting. A great record
for when you wish you had a bunch of friends who rehearsed
great music in the garage beneath your apartment (If your
friends are drones and it’s been years since you’ve
had your own apartment, all the better).
Too Many Spare Parts in the Yard too Close at Hand:
Official Bootleg Series Vol. 5. – As the title
implies, this is an odds-n-ends collection, but the only
thing that really differentiates it from a normal release
are the old songs that bubble up with a new, gnarly clatter.
That, and the lazy song names like “Goldfrapp Tribute”
and “Tom Waits Tribute”. Still, the finished
product may be their best in a few years, definitely more
rousing than the last covers record.
Down Home 2002 – Howe Gelb has been playing
his pianos a lot more, lately. Most of these songs, for
instance, sound he like he’s just crawled out of a
bed and sat down to pound out whatever’s left of last
night’s dreams. Then, maybe, he goes into the kitchen
to make some coffee and look for things that will double
as instruments for some extra tracks. The lyrics, as usual,
are a strange jumble of alliteration, half-meanings, and
dry jokes. This post-modern garage-jazz can be trying at
times, but still rewarding, especially the opening re-examination
of one of Sand’s best tunes, “Spun”.
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| On a scale of junk shop discoveries, where
a broken cassette player is a 1, and your grandmother’s
long thought lost jewelry box is a 10… Infiltration
of Dreams rates a pair of amazingly comfortable
but mismatched rocking chairs, the numerical equivalent
of a 8.1… Too Many Spare Parts in the Yard
too Close at Hand rates a life size, ceramic Elvis,
the numerical equivalent of a 7.5… and Down
Home 2002 rates a kitschy, yellow lamp, the numerical
equivalent of a 6.9. |
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-
Nathan Fuller 
Unkle
Kracker
Live on Regis and Kelly
If you were one of the lucky ones, you found
yourself in studio at 7 Lincoln Square, NYC for the recent
Uncle Kracker show. The show took place on 6/3/03 for
the privileged audience of “Live with Regis and
Kelly.” I, myself, was sadly not one of the privileged.
Alas, my last ditch effort on ebay was denied.
Instead I could be found as usual, at the
home of my partner, Terri. I was doing a little “light”
housework for him, vacuuming away as the curtain unfurled
and Uncle Kracker was introduced. Uncle Kracker is best
known as a guy who looks punk but produces what can only
be described as “featherweight rock.” (Featherweight
rock, as you probably know, is light rock’s kid
sister.)
Uncle Kracker, who does not play an instrument
but claps very well, sang “Drift Away” off
of his new album “No Stranger to Shame.” He
was accompanied by a man whom the show billed as “musical
icon” Dobie Grey. Call me naive, but I think that
Mr. Grey is my pizza delivery guy.
All week long I had fantasies that Terri
was the one who outbid me for the “Uncle Kracker
Fantasy Camp Weekend.” It didn’t happened
but at least I was able to see the master on my television
screen. Out of sheer curiosity I immediately dialed for
a pizza and thirty minutes later, my regular delivery
man was nowhere to be found. That’s kind of weird,
huh?
-
Steve Smith
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...e-mails laced with our love powder.

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